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This cinematic influence was always felt in it's earlier music, but the true recognition of it's origin had a late awakening, curiously due to his immersion in theatre. \n\nThrough the landscapes of his soundtracks \"Dystopia\", \"Heterotopia\" and \"GH (Human Gender)\", Dorminsky's music creates a film-like feeling on stage, from the dark-orchestral \"batmanesque\" ensembles, to the light angelical choirs of bulgarian singers, that blend seamlessly with his native electronic atmospheres.\n\nIn his teen years, through the moniker Pi, the artist self-described it's creations as a \"sound diary\", when he first experienced music in computers. For that moment on, music became a soul passion in search of a unique persona. \n\nAs the antithesis to radio airplay and overtly disposable music, Pi assumed its full form in 1999, when João Dorminsky began to develop its solo orchestra, inspired by everything but conventional music. 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